In Joseph Anton, Rushdie argues that there is a need for blasphemy: "The writers of the French enlightenment had deliberately used blasphemy as a weapon, refusing to accept the power of the Church to set limiting points on thought." He stands in that tradition, though it is Muslim mullahs rather than Christian clerics whose power he contests. ....Hirsi Ali:
.. the Innocence of Muslims, that slurs Islam. "The film is clearly a malevolent piece of garbage," says Rushdie. "The civilised response would be to say of the director: 'Fuck him. Let's get on with our day.' What's not civilised is to hold America responsible for everything that happens in its borders
- Salman Rushdie: the fatwa, Islamic fundamentalism and Joseph Anton
Asked about the poor integration of Muslim immigrants into Holland’s civic culture, I recommended the emancipation of girls and women from a religious practice that motivates parents to remove them from school as teenagers and marry them off. Through emancipation, Muslim integration into Dutch society would come faster and endure. But I soon learned that by making such statements, I had unwittingly blasphemed three times: by associating terrorist attacks with a theology that inspired it; by drawing critical attention to the treatment of women in Islam; and—the worst blasphemy of all—by leaving the Muslim faith.
That was just the beginning of the adventure. When I eventually entered politics and campaigned for a seat in the Dutch Parliament, the atheist-liberal Dutch elite was thrown into total confusion: I was either praised as a Voltaire or condemned as a diva desperate for attention. The week before I was sworn into Parliament, I gave an interview to an obscure paper in the Netherlands that caused an uproar. Dutch Muslim organizations had been demanding that the age of marriage be lowered from 18 to 15, touting the Prophet Muhammad as their moral guide. In response, I suggested that some of the actions of the prophet might be considered criminal under Dutch law. This prompted a delegation of ambassadors from Turkey, Malaysia, Sudan, and Saudi Arabia to knock on the door of my party leader shortly after I took my seat in the legislature, demanding my eviction from Parliament for hurting the feelings of Muslims—those not only in Holland, but everywhere in the world, all 1.5 billion of them.
But that was nothing compared with what happened when I made a short film with Theo van Gogh (titled Submission) that drew attention to the direct link between the Quran and the plight of Muslim women. In revenge for this act of free thinking, Mohammed Bouyeri, a 26-year-old Dutch-Moroccan man, murdered van Gogh—shooting him eight times and stabbing him with two knives, one of which pinned a note to his body threatening the West, Jews, and me. As he was dying, my friend Theo reportedly asked his assailant, “Can’t we talk about this?” It’s a question that has haunted me ever since, often in bed at night. One side proposing a conversation; the other side thrusting a blade
- Muslim Rage & The Last Gasp of Islamic Hate